Brushes Iris

The iris range is a short and extensive range of 69 brushes to meet all the possible needs of painters, whether they are beginners or experts, for fine-art painting or for decorating objects in various formats, including wood, porcelain and glass. It includes a selection of shapes, numbers and qualities of synthetic and natural hair

Products
NR2A1672
NR2A1422
NR2A1607
NR2A1487
NR2A1262
NR2A1727
NR2A1644
Properties

PURE SQUIRRELAND IMITATION

Soft, very fine hair. The big retention capacity of the hair enables alarge reservoir of diluted paint, while maintaining an excellent point fordetails. Ideal for diluted techniques such as watercolour, but also for painting on glass and porcelain.

SOFT POLYAMIDE

Soft fiber with average retention ability. The hair remains soft and even springier than a pure squirrel hair. Ideal for diluted techniques and fluid paints.

YELLOW POLYAMIDE

Stiff fiber with average retention ability. Ideal for a maximum range of techniques. This is the brush to have in your studio.

HARD POLYAMIDE

Very stiff fiber with average retention ability. It reproduces the sensation of white-bristle brushes. Ideal for high-viscosity paints and collages. It enables you to clad the paper to glue on the surfaces.

WHITE BRISTLES

Firm and toned hair with average retention. Ideal for high-viscosity painting and collages. Its fi rm hair leaves the imprint of the tool in the paste.

YELLOW POLYAMIDE

Stiff fi ber with average retentionability. Ideal for a maximum rangeof techniques. This is the brush tohave in your studio.

HARD POLYAMIDE

Very stiff fi ber with average retention ability. It reproduces the sensation of white-bristle brushes. Ideal for high-viscosity paints and collages. It enables you to clad the paper to glue onthe surfaces.

WHITE BRISTLES

Firm and toned hair with averageretention. Ideal for high-viscosity painting and collages.Its fi rm hair leaves the imprint ofthe tool in the paste.