The essential auxiliaries

Drawing Gum, a peelable rubber solution for the realization of artworks using ink, watercolour or gouache, as well as varnishes and fixatives.
A wide range of auxiliaries allowing you to further expand your creative desires.

Once the paint is dry, simply remove the film of gum to reveal the drawing and voila, a real magical effect!

The historical product from Pébéo returns to its original form, natural latex, to better suit the requirements of a professional audience.

Products
033000

Drawing Gum: a peelable liquid solution used to keep areas of artwork free. In a 45 ml jar.

372000

Drawing Gum: a peelable liquid solution used to keep areas of artwork free. In a 250 ml jar.

582020

Surfine gouache varnish: Non-yellowing varnish with a satin finish that enhances the sheen of colours. Available in 200 and 400 ml.

261000

The gouache water-based satin varnish is available in 45 ml, 250 ml and 1 L bottles.

NR2A3262

This marker performs in the same way as drawing gum in bottles, but as a practical tool that can be applied quickly and accurately. It is a high-precision marker to use on watercolour, ink and diluted gouache works. The marker has a sturdy, plastic tip with 0.7 mm of accuracy.  This tip allows for continuous applications with a fine - to extra fine - stroke. A spare tip is included.The formula is made with natural latex, with a result of around 405 meters of line for a 5.5 ml volume.

DG presentoir + blister

It comes in 2 different forms of packaging: in a box or blister pack.

NR2A3264

The marker includes a spare tip.

double réa

The marker can be applied in a fine and continuous stroke.

DSC_9798

The marker for accurate applications.

Salim Kafiz aquarelle3

 The ideal marker for fine, light areas.

Properties

GRAPHIC INDIA INK

  • Colour: Black, opaque, satin and indelible once dry
  • Good lightfastness
  • Thinner: Water
  • Drying: A few dozen minutes depending on the dilution and surface used
  • Cleaning the tools: With water before drying

DRAWING GUM

  • Thinner: Not recommended
  • Drying: Several dozen minutes depending on the thickness deposited
  • Cleaning the tools: With water before drying

BREADCRUMB GUM

  • Consistency: Mouldable paste

VARNISH

Varnishes protect illustrations in ink or gouache against friction, moisture and ultra-violet. They also change the intensity and depth of colour, and unify the differences in brightness. When the colour is applied thickly, it is advisable to wait 1-2 weeks before varnishing work.

Crystal varnish

  • Composed of solvent-phase acrylic resin
  • Thinner: Not recommended
  • Very covering with a brilliant finish
  • Drying: Away from dust, between 30 minutes to 1 hour depending on the thickness
  • Cleaning the tools: In petroleum oil

Water-based satin gouache varnish

  • Aqueous phase
  • Thinner: Not recommended
  • Finish: Satin
  • Drying: Away from dust, between 30 minutes to 1 hour depending on the thickness
  • Cleaning the tools: With soapy water before drying

Solvent-based anti-UV varnish 

  • Solvent phase
  • Thinner: Not recommended
  • Finish: Satin
  • Drying: Away from dust, between 30 minutes to 1 hour depending on the thickness
  • Cleaning the tools: In petroleum oil

PASTEL AND CHARCOAL FIXATIVE

  • Acrylic varnish: Non-yellowing, transparent and satin
  • Drying: Away from dust, about 2 to 3 hours depending on the thickness and the temperature
  • Cleaning the tools: In petroleum oil
Applications

GRAPHIC INDIA INK

Graphic India ink is a carbon black dispersion. Fluid without dripping, it is diluted with water to achieve wash. Once dry, it resists water and washing.

DRAWING GUM

Drawing gum is a peelable solution used to keep areas of artwork free, for use with ink, watercolour, gouache... It is applied using a brush or pen on the parts of the work to be masked

Colour is applied when the drawing gum is dry. Once the colours are completely dry just rub the gum with your finger or with an eraser to reveal the masked parts.

BREADCRUMB GUM

This workable paste gum is used to erase charcoal, graphite pencil, pastel, sanguine ... It absorbs pigments that are deposited excessively on paper. Just squeeze it to clean it, and to be able to erase again effectively. 

It has the advantage of not leaving flakes on the surface. Thanks to its flexibility, it lets you create pointed shapes to erase very fine parts or a ball or flat shape to clear larger sections of a drawing, and erase more or less according to the pressure exerted on the drawing.

After a while, it becomes completely coloured, and it must be changed to prevent leaving marks on the paper.

VARNISH

Crystal varnish

Very limpid and easy to apply, this fairly thick varnish is very covering. Once dry, it forms a particularly bright film that enhances the colour depth.The subtlety of the film and its discreet sheen make it a valuable varnish to highlight the more subtle forms and the finest nuances in an artwork.
Superfine Gouache Varnish
Superfine Gouache varnish is a non-yellowing acrylic-based product, which lends a thin protective film with a satin finish. It enhances colour vibrancy.

Water-based satin gouache varnish

Water-based satin gouache varnish is applied without going over and over the product, to avoid soaking the gouache coats.

Solvent-based anti-UV varnish 

Solvent-based anti-UV varnish, with a satin appearance and impermeable, filters ultraviolet rays, thereby preventing the degradation of certain colours sensitive to light. It is especially recommended to protect illustrations made with water-based Colorex inks.

PASTEL AND CHARCOAL FIXATIVE

The fixative for pastels, pencils and charcoals is designed for dry techniques. It will be enable drawings to be protected without changing the hue for the sustainable conservation of works.