Canvas and brushes

Soft, very fine hair. The big retention capacity of the hair enables a large reservoir of diluted paint, while maintaining an excellent point for details. Ideal for diluted techniques such as watercolour, but also for painting on glass and porcelain.

Soft, very fine hair. The big retention capacity of the hair enables a large reservoir of diluted paint, while maintaining an excellent point for details. Ideal for diluted techniques such as watercolour, but also for painting on glass and porcelain.

Soft, very fine hair. The big retention capacity of the hair enables a large reservoir of diluted paint, while maintaining an excellent point for details. Ideal for diluted techniques such as watercolour, but also for painting on glass and porcelain.

Soft, very fine hair. The big retention capacity of the hair enables a large reservoir of diluted paint, while maintaining an excellent point for details. Ideal for diluted techniques such as watercolour, but also for painting on glass and porcelain.

Soft fi ber with average retention ability. The hair remains soft and even springier than a pure squirrel hair. Ideal for diluted techniques and fluid paints. When using a flat brush, either the full width of the brush can be used or the edge to produce finer lines.

Soft fi ber with average retention ability. The hair remains soft and even springier than a pure squirrel hair. Ideal for diluted techniques and fluid paints. When using a flat brush, either the full width of the brush can be used or the edge to produce finer lines.

Soft fi ber with average retention ability. The hair remains soft and even springier than a pure squirrel hair. Ideal for diluted techniques and fluid paints. The wide flat brush (spalter shape) lets you cover large surfaces evenly and gradually. It is perfect for applying varnish, preparing backgrounds, flat tints and colour glazes.

Soft fi ber with average retention ability. The hair remains soft and even springier than a pure squirrel hair. Ideal for diluted techniques and fluid paints. The wide flat brush (spalter shape) lets you cover large surfaces evenly and gradually. It is perfect for applying varnish, preparing backgrounds, flat tints and colour glazes.

Firm and toned hair with average retention. Ideal for high-viscosity painting and collages. Its firm hair leaves the imprint of the tool in the paste. Round brush heads are used to paint detail, using the tip of the brush ; lines can be thickened by putting pressure on the brush.

Firm and toned hair with average retention. Ideal for high-viscosity painting and collages. Its firm hair leaves the imprint of the tool in the paste. Round brush heads are used to paint detail, using the tip of the brush ; lines can be thickened by putting pressure on the brush.

Firm and toned hair with average retention. Ideal for high-viscosity painting and collages. Its firm hair leaves the imprint of the tool in the paste. Round brush heads are used to paint detail, using the tip of the brush ; lines can be thickened by putting pressure on the brush.

Firm and toned hair with average retention. Ideal for high-viscosity painting and collages. Its firm hair leaves the imprint of the tool in the paste. Round brush heads are used to paint detail, using the tip of the brush ; lines can be thickened by putting pressure on the brush.

Firm and toned hair with average retention. Ideal for high-viscosity painting and collages. Its firm hair leaves the imprint of the tool in the paste. Round brush heads are used to paint detail, using the tip of the brush ; lines can be thickened by putting pressure on the brush.

Firm and toned hair with average retention. Ideal for high-viscosity painting and collages. Its firm hair leaves the imprint of the tool in the paste. When using a flat brush, either the full width of the brush can be used or the edge to produce finer lines.

Firm and toned hair with average retention. Ideal for high-viscosity painting and collages. Its firm hair leaves the imprint of the tool in the paste. When using a flat brush, either the full width of the brush can be used or the edge to produce finer lines.

Firm and toned hair with average retention. Ideal for high-viscosity painting and collages. Its firm hair leaves the imprint of the tool in the paste. When using a flat brush, either the full width of the brush can be used or the edge to produce finer lines.

Firm and toned hair with average retention. Ideal for high-viscosity painting and collages. Its firm hair leaves the imprint of the tool in the paste. When using a flat brush, either the full width of the brush can be used or the edge to produce finer lines.

Firm and toned hair with average retention. Ideal for high-viscosity painting and collages. Its firm hair leaves the imprint of the tool in the paste. The wide flat brush (spalter shape) lets you cover large surfaces evenly and gradually. It is perfect for applying varnish, preparing backgrounds, flat tints and colour glazes.

Stiff fi ber with average retention ability. Ideal for a maximum range of techniques. This is the brush to have in your studio. Round brush heads are used to paint detail, using the tip of the brush; lines can be thickened by putting pressure on the brush.

Stiff fi ber with average retention ability. Ideal for a maximum range of techniques. This is the brush to have in your studio. Round brush heads are used to paint detail, using the tip of the brush; lines can be thickened by putting pressure on the brush.