A paint brush, often described as an extension of the the artist's hand, is defined by a great number of characteristics, which explains why there are so many different kinds, with different handles, ferrules, sizes and shapes of head and bristle types. The choice of a brush, like that of a painting knife, is just as important as the choice of a paint or painting surface. Pebeo entered the brush market in 1994 and has since developed its range with the same values that have made the company's reputation in the fine arts world: quality and innovation.
61 products
IRIS BRUSH SOFT POLYAMIDE FLAT N°06
Soft fi ber with average retention ability. The hair remains soft and even springier than a pure squirrel hair. Ideal for diluted techniques and fluid paints. When using a flat brush, either the full width of the brush can be used or the edge to produce finer lines.
IRIS BRUSH SOFT POLYAMIDE FLAT N°12
Soft fi ber with average retention ability. The hair remains soft and even springier than a pure squirrel hair. Ideal for diluted techniques and fluid paints. When using a flat brush, either the full width of the brush can be used or the edge to produce finer lines.
IRIS BRUSH SOFT POLYAMIDE SPALTER N°25
Soft fi ber with average retention ability. The hair remains soft and even springier than a pure squirrel hair. Ideal for diluted techniques and fluid paints. The wide flat brush (spalter shape) lets you cover large surfaces evenly and gradually. It is perfect for applying varnish, preparing backgrounds, flat tints and colour glazes.
IRIS BRUSH SOFT POLYAMIDE SPALTER N°40
Soft fi ber with average retention ability. The hair remains soft and even springier than a pure squirrel hair. Ideal for diluted techniques and fluid paints. The wide flat brush (spalter shape) lets you cover large surfaces evenly and gradually. It is perfect for applying varnish, preparing backgrounds, flat tints and colour glazes.
IRIS BRUSH WHITE BRISTLE ROUND N°02
Firm and toned hair with average retention. Ideal for high-viscosity painting and collages. Its firm hair leaves the imprint of the tool in the paste. Round brush heads are used to paint detail, using the tip of the brush ; lines can be thickened by putting pressure on the brush.
IRIS BRUSH WHITE BRISTLE ROUND N°04
Firm and toned hair with average retention. Ideal for high-viscosity painting and collages. Its firm hair leaves the imprint of the tool in the paste. Round brush heads are used to paint detail, using the tip of the brush ; lines can be thickened by putting pressure on the brush.
IRIS BRUSH WHITE BRISTLE ROUND N°06
Firm and toned hair with average retention. Ideal for high-viscosity painting and collages. Its firm hair leaves the imprint of the tool in the paste. Round brush heads are used to paint detail, using the tip of the brush ; lines can be thickened by putting pressure on the brush.
IRIS BRUSH WHITE BRISTLE ROUND N°08
Firm and toned hair with average retention. Ideal for high-viscosity painting and collages. Its firm hair leaves the imprint of the tool in the paste. Round brush heads are used to paint detail, using the tip of the brush ; lines can be thickened by putting pressure on the brush.
IRIS BRUSH WHITE BRISTLE ROUND N°10
Firm and toned hair with average retention. Ideal for high-viscosity painting and collages. Its firm hair leaves the imprint of the tool in the paste. Round brush heads are used to paint detail, using the tip of the brush ; lines can be thickened by putting pressure on the brush.
IRIS BRUSH WHITE BRISTLE SPALTER N°50
Firm and toned hair with average retention. Ideal for high-viscosity painting and collages. Its firm hair leaves the imprint of the tool in the paste. The wide flat brush (spalter shape) lets you cover large surfaces evenly and gradually. It is perfect for applying varnish, preparing backgrounds, flat tints and colour glazes.