CHÂSSIS ET PINCEAUX

Set of 4 long handle assorted brushes, white bristle round n 16, 20 + flat n 20, 24. Firm and toned hair with average retention. Ideal for high-viscosity painting and collages. Its firm hair leaves the imprint of the tool in the paste. When using a flat brush, either the full width of the brush can be used or the edge to produce finer lines. Round brush heads are used to paint detail, using the tip of the brush ; lines can be thickened by putting pressure on the brush.

Set of 4 long handle assorted brushes, yellow polyamide round n 0, 3, 6 + flat n 6. Stiff fi ber with average retention ability. Ideal for a maximum range of techniques. This is the brush to have in your studio. Round brush heads are used to paint detail, using the tip of the brush ; lines can be thickened by putting pressure on the brush. When using a flat brush, either the full width of the brush can be used or the edge to produce finer lines.

Set of 4 long handle assorted brushes, yellow polyamide round n 16, 20 + flat n 20, 24. Stiff fi ber with average retention ability. Ideal for a maximum range of techniques. This is the brush to have in your studio. Round brush heads are used to paint detail, using the tip of the brush ; lines can be thickened by putting pressure on the brush. When using a flat brush, either the full width of the brush can be used or the edge to produce finer lines.

Set of 4 long handle assorted brushes, brown polyamide round n 16, 20 + flat n 20, 24.Very stiff fi ber with average retention ability. It reproduces the sensation of white-bristle brushes. Ideal for high-viscosity paints and collages. It enables you to clad the paper to glue on the surfaces. Round brush heads are used to paint detail, using the tip of the brush ; lines can be thickened by putting pressure on the brush. When using a flat brush, either the full width of the brush can be used or the edge to produce finer lines.

Set of 8 long handle assorted brushes, white bristle round n 4, 6, 10, 14 + flat n 2, 6, 10, 14. Firm and toned hair with average retention. Ideal for high-viscosity painting and collages. Its firm hair leaves the imprint of the tool in the paste. When using a flat brush, either the full width of the brush can be used or the edge to produce finer lines. Round brush heads are used to paint detail, using the tip of the brush ; lines can be thickened by putting pressure on the brush.

Set of 8 long handle assorted brushes, yellow polyamide round, n 0, 3, 6 + flat n 6. Stiff fi ber with average retention ability. Ideal for a maximum range of techniques. This is the brush to have in your studio. Round brush heads are used to paint detail, using the tip of the brush ; lines can be thickened by putting pressure on the brush. When using a flat brush, either the full width of the brush can be used or the edge to produce finer lines.

Set of 8 long handle assorted brushes, brown polyamide round n 0, 3, 6, 10 + flat n 2, 6, 10, 14.Very stiff fi ber with average retention ability. It reproduces the sensation of white-bristle brushes. Ideal for high-viscosity paints and collages. It enables you to clad the paper to glue on the surfaces. Round brush heads are used to paint detail, using the tip of the brush ; lines can be thickened by putting pressure on the brush. When using a flat brush, either the full width of the brush can be used or the edge to produce finer lines.

Set of 8 long handle assorted brushes : 4 white bristle + 4 yellow polyamide: round n° 6, 10 + flat n° 6, 10. When using a flat brush, either the full width of the brush can be used or the edge to produce finer lines. Round brush heads are used to paint detail, using the tip of the brush ; lines can be thickened by putting pressure on the brush.

Set of 2 spalters, white bristle n 75, 100. Firm and toned hair with average retention. Ideal for high-viscosity painting and collages. Its firm hair leaves the imprint of the tool in the paste. The wide flat brush (spalter shape) lets you cover large surfaces evenly and gradually. It is perfect for applying varnish, preparing backgrounds, flat tints and colour glazes.

Set of 2 spalters, yellow polyamide n 75, 100. Stiff fi ber with average retention ability. Ideal for a maximum range of techniques. This is the brush to have in your studio. The wide flat brush (spalter shape) lets you cover large surfaces evenly and gradually. It is perfect for applying varnish, preparing backgrounds, flat tints and colour glazes.

Set of 2 spalters, brown polyamide n 75, 100. Very stiff fi ber with average retention ability. It reproduces the sensation of white-bristle brushes. Ideal for high-viscosity paints and collages. It enables you to clad the paper to glue on the surfaces.The wide flat brush (spalter shape) lets you cover large surfaces evenly and gradually. It is perfect for applying varnish, preparing backgrounds, flat tints and colour glazes.

Set of 3 spalters, white bristle n 25, 40, 50. Firm and toned hair with average retention. Ideal for high-viscosity painting and collages. Its firm hair leaves the imprint of the tool in the paste. The wide flat brush (spalter shape) lets you cover large surfaces evenly and gradually. It is perfect for applying varnish, preparing backgrounds, flat tints and colour glazes.

Set of 3 spalters, yellow polyamide n 25, 40, 50. Stiff fi ber with average retention ability. Ideal for a maximum range of techniques. This is the brush to have in your studio. The wide flat brush (spalter shape) lets you cover large surfaces evenly and gradually. It is perfect for applying varnish, preparing backgrounds, flat tints and colour glazes.

Set of 3 spalters, brown polyamide n 25, 40, 50. Very stiff fi ber with average retention ability. It reproduces the sensation of white-bristle brushes. Ideal for high-viscosity paints and collages. It enables you to clad the paper to glue on the surfaces.The wide flat brush (spalter shape) lets you cover large surfaces evenly and gradually. It is perfect for applying varnish, preparing backgrounds, flat tints and colour glazes.

A set of 3 painting knives : diamond shaped Ref. 100-128, rounded shaped Ref. 100-113, rectangular shaped Ref. 100-103. Painting knives, for use with oil acrylic paints and auxiliaries allowing to work the material (modeling paste, mortars, gels, ...).